The Brooklyn Rail’s THE NEW SOCIAL ENVIRONMENT #701 (November 29, 2022)

Indisposable: Tactics for Care and Mourning: Featuring Jill Casid, Pamela Sneed, and Kevin Quiles Bonilla discussing their art practice and crip art and aesthetics with Ksenia M. Soboleva on the occasion of the exhibition curated by Jessica A. Cooley and Ann M. Fox at the Ford Foundation Gallery, New York. With reading by Phoebe Osborne.

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The Brooklyn Rail’s THE NEW SOCIAL ENVIRONMENT #780 (April 3, 2023)

Jimmy DeSana: Submission: featuring Jill Casid discussing queer photography and curation with curator Drew Sawyer on the occasion of the exhibition at the Brooklyn Museum and publication of the catalogue. With reading by Ry Dunn.

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The Brooklyn Rail’s THE NEW SOCIAL ENVIRONMENT #806 (May 9, 2023)

arms ache avid aeon: fierce pussy amplified: featuring Jill Casid discussing queer feminist art, aesthetics, and activism with Nancy Brooks Brody, Joy Episalla, Zoe Leonard, and Carrie Yamaoka in a conversation dedicated to Chapter Seven of their unfolding collaboration with artist and curator Jo-ey Tang on the occasion of Exposé-es at the Palais de Tokyo, the exhibition conceived in honor of Elisabeth Lebovici’s landmark book, Ce que le sida m’a fait: Art et activisme à la fin du XXe siècle. With reading by Svetlana Kitto.

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The Brooklyn Rail’s THE NEW SOCIAL ENVIRONMENT #955 (Dec 4, 2023)

Artist Kathe Burkhart joins Rail contributor Jill H. Casid for a conversation. We conclude with a poetry reading by Stephanie Young.

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The Brooklyn Rail’s THE NEW SOCIAL ENVIRONMENT #979 (Jan 12, 2024)

Artist Michelle Handelman joins Rail contributors Jill H. Casid and Ksenia M. Soboleva for a conversation.

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The Brooklyn Rail’s THE NEW SOCIAL ENVIRONMENT #993 (Feb 2, 2024)

Gregg Bordowitz and Pamela Sneed: Healthcare Not Warfare Artists and activists Gregg Bordowitz and Pamela Sneed join Rail contributor Jill H. Casid for a conversation.

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The Brooklyn Rail’s THE NEW SOCIAL ENVIRONMENT #1010 (Feb 27, 2024)

Captives of Heartbr(ache): A Critics Page Discussion Rail February 2024 Critics Page contributors Elliott Jerome Brown Jr., Jill H. Casid, Sean Fader, Andrea Geyer, Wendy Lotterman, Mev Luna, Cassie Packard, and Rachel Stern join contributor Le’Andra LeSeur and Guest Critic Ksenia M. Soboleva for a conversation.

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Book Event in Santiago de Chile for launch of the Spanish translation of Scenes of Projection/Escenas de proyeccion translated by Paola Cortes-Rocca and Fermín Rodríguez and published by Metales Pesados, featuring Jill Casid in conversation with Alejandra Castillo, Elizabeth Collingwood-Selby, Ariel Florencia Richards, Felipe Rivas San Martin and organizer Jorge Pavez. August 10, 2023 at the BiblioGAM of the Centro Cultural Gabriela Mistral.

Book Event for launch of the Spanish translation of Scenes of Projection/Escenas de proyección. Bureau of General Services-Queer Division, New York, New York, February 17, 2033, Reading and book signing followed by a reception.

Guest readers: Camilo Godoy, Vick Quezada, and Catalina Schliebener Muñoz.

Visual Culture at 25, College Art Association, New York, New York, February 17, 2023. Session co-chaired by Jill Casid and Nicholas Mirzoeff. With flash presentations by Kimberly Juanita Brown, Jessica A. Cooley, Che Gossett, Victoria Hindley, Joseph Pierce, Abdul Aliy Muhammad, Marcela Guerrero, and Eliza Steinbock. Visual Culture at 25 is the praxis of refusal. It’s trans*feminist, Black, brown, Indigenous, crip, queer, nonbinary, decolonial, reparationist, abundant, striking against our disposability, unapologetic in its its labors of love, its/our alter-attunement, its/our spiritual and materialist commitments to care that shows up and does the work of the study and the mutual aid it takes to risk being vulnerable with and for each other and against the deformations of carceral, settler colonial, cisheteropatriarchal racial capitalism. It takes all our words and tongues— y mas.

Doing Things with Being Undone in the Necrocene
ZRC SAZU, Ljubljana, Slovenia, May 15, 2023

“Melancholy as Medium,” for Aesthetic Dimensions of the Political: Art, Activism, Participation, University of Kassel in conjunction with Documenta fifteen, Kassel, Germany, June 2022.

“Going to Seed in the Necrocene,” “Finding Common Ground” Symposium organized by Tate-Liverpool and Yale Centre for British Art-London in conjunction with Radical Landscapes exhibition, Tate-Liverpool, July 2022.

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“Reckoning with Landscaping as Imperial Technology after #RhodesMustFall and #Landback,” for Enduring Colonialism: Empire and Landscape in Dialogue, Landscape Research Group, London, September 2021.

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“Thinking with Carbon in the Necrocene: Art and Living our Dying,” Forest University organized in conjunction with The Museum of the Great Outdoors (Amber Ginsburg, Sara Black and Charlie Vinz), Thailand Biennial, Krabi, Thailand, January 2019.

“Doing Things with Being Undone,” Fifth Biennial Conference of the International Association for Visual Culture Conference, “Visual Pedagogies,” London College of Communication, University of the Arts, London, September 2018.

“Necrolandscaping on the Border,” Clark Art Institute, Williamstown, MA, November 2018.

“Queer Deformativity,” Lecture Series on “Intensify Desire,” Kunsthistorisches Institut der Freie Universität Berlin, Organized by Christian Liclair and Susanne Huber, May 2018.

“Transversal Methods in Everyday Death-Worlds,” Townsend Center for the Humanities, University of California, Berkeley, April 2016.

Watch part 1 here
Watch part 2 here

 “Enlightenment Terror and its Terrain,” The Global Enlightenment, Princeton University, April 2017.

“Necro-Tactics at the Limits of Refuge,” Europe without Borders: Reflections on 40 Years of European Cultural Studies at Princeton, Princeton University, May 2016.

“Virulent Still Life: Landscape and the Photographic Archive as Technologies of Empire,” Research Symposium on Approaching Absenteeism organized by the research group Landings, curated by Natasha Ginwala and Vivian Ziherl, Tropenmuseum, Amsterdam, July 2013. “Taking imagery of colonial plantations from the photographic archive of the Tropenmuseum as a starting point, Jill Casid revisits her ground-breaking argument about the importance of landscaping as a technology of empire.”

Madsen Minax: A Crisis of Human Contact: artist talk with Madsen Minax and Jill Casid, De La Warr Pavilion, Bexhill-on-Sea, England, May 21, 2023.

Joy Episalla: crack fold burn bright: book launch, Jill Casid in conversation with Joy Episalla and Jo-ey Tang, Tibor de Nagy Gallery, New York City, July 2022.

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May amnesia never kiss us on the mouth (part II) Launch: Conversation and Performance, Jill Casid in conversation with Basel Abbas and Ruanne Abou-Rahme and Omar Berrada, with DJ set by Julmud, Dia Chelsea, New York, March 2022. 

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Enduring Care: Jill Casid in Conversation with Abdul-Aliy Muhammad, Visual AIDS and the Chazen Museum  of Art for Day With(out) Art 2021 screening of Enduring Care, December 2021.

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Living with More than One Virus: A Conversation with Kang Seung Lee and Jill Casid on Art as a Praxis of Radical Care, Visual AIDS and the Chazen Museum of Art for Day With(out) Art 2020 screening of Transmissions, December 2020.

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Murmur/Mutter/Yell: in Conversation with Michelle Jaffé, Screening of concept video and discussion of grant-awarded proposal for sound and video installation, Queens Council on the Arts, New York, December 2020.

Nancy Brooks Brody’s 18 Feet 8 Inch Line: Jill Casid in Conversation with Curator Jo-ey Tang and artist Nancy Brooks Brody, Klaus von Nichtssagend Gallery, New York, September 2019.

Thinking Out Loud in Public, a panel convened on the occasion of Chapter Five of arms ache avid aeon: Nancy Brooks Brody/Joy Episalla/Zoe Leonard/Carrie Yamaoka: fierce pussy amplified, with presentations by Jill Casid, Jo-ey Tang, Anthony Elms, and Jeannine Tang, ICA Philadelphia, November 16, 2019.

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arms ache avid aeon: a symposium with presentations by Jill Casid, Elisabeth Lebovici, T. Jean Lax, Jonah Groeneboer, Jo-ey Tang and Ian Ruffino on the occasion of Chapters One to Four of  arms ache avid aeon: Nancy Brooks Brody/Joy Episalla/Zoe Leonard/Carrie Yamaoka: fierce pussy amplified, Beeler Gallery, Columbus College of Art and Design, March 2, 2019.

Chapters One to Four archived on Contemporary Art Daily

Conversation One—fierce pussy, Conversation with members of the queer feminist art collective fierce pussy: Nancy Brooks Brody, Joy Episalla, and Carrie Yamaoka, Beeler Gallery, Columbus College of Art and Design, February 2018.

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Conversation cited in Labor of Love, Lauren O’Neill-Butler on the art of fierce pussy, Feb 2019, Artforum

The Wandering Lake, 2009-2017: Jill Casid in Conversation with Patty Chang, Queens Museum, New York, October 2017.

Re: Sampling/Remix and Appropriation in Music and Art, Jill Casid in conversation with Paul D. Miller, aka DJ Spooky and Nayda Collazo-Llorens, Grand Valley State University, April 2016.